Alexander Schmorell re hiding duplicating machine

When we were finished duplicating our leaflets, we took the duplicating machine to the property Leopold Str. 38, studio, cellar, purely out of security considerations. Hans Scholl /added by hand: and/ I carried this out. In so doing, we were in agreement that production of leaflets would be only temporarily suspended and that should the appropriate occasion arise, we would do it again. Continue reading

Alexander Schmorell re second graffiti operation

A few days later, I was once again in Scholl’s residence. When I left in the evening, Hans Scholl told me that he would be painting graffiti again the next night. The graffiti that we had painted days earlier had long been removed. As he alluded to this, Hans Scholl said he would be taking his friend Willi Graf with him.

And as a matter of fact, the next day I observed or rather Hans Scholl himself told me that he and Willi Graf had done as he had said. That time, they painted with green paint. I emphasize this because I had nothing to do with it. Continue reading

Source of green enamel paint

I am alarmed by the revelation that Hans Scholl misused my kindness to Geyer in such a rude fashion. In no case did I ever give Geyer or Scholl or any other person permission to take green enamel paint from my studio (which Hans Scholl, Alexander Schmorell, and Willi Graf used to paint the slogan “Down with Hitler!”) or to store other objects for the production of their seditious leaflets in my basement. Continue reading

Alexander Schmorell re graffiti operation

At the end of January, Hans Scholl and I came up with the idea of reinforcing our treasonous propaganda by painting “Down with Hitler!” and “Freedom!” [Note 1]. For this purpose, I prepared a template “Down with Hitler!” in my residence. I brought this to Scholl, so we could use it in the ensuing nights. I bought a can of tar-based paint at a specialty store (I believe it was Finster and Meissner) near the Hofbräuhaus. We took the green paint from Eickemair’s [sic] studio; he knows nothing about any of this. We were also able to take the paint brushes from the studio. Continue reading

Eickemeyer gives studio keys to Geyer

Only at the beginning of January 1943 when I met Wilhelm Geyer and after Hans Scholl had asked that I make my studio available to Geyer for the remainder of his local work (approximately 8 weeks) was there even the possibility that besides me and Mr. Mayer the janitor a third party could enter my studio. Continue reading